Rather than have a narrative told in prose (which we will consider as a “normal” book), Verse Novels are told in a poetry format. They are novel length books/stories all written in poetry in its entirety. Like poetry itself, the format comes in an array of styles.
Books are listed by author’s last name. A series will be counted as one entry. The summary of the first book will be the only summary given as later book summary may include spoilers. Titles are hyper-linked to their Goodreads page.
Matt Pin would like to forget: war torn Vietnam, bombs that fell like dead crows, and the terrible secret he left behind. But now that he is living with a caring adoptive family in the United States, he finds himself forced to confront his past. And that means choosing between silence and candor, blame and forgiveness, fear and freedom.
By turns harrowing, dreamlike, sad, and triumphant, this searing debut novel, written in lucid verse, reveals an unforgettable perspective on the lasting impact of war and the healing power of love.
In spare free verse laced with unforgettable images, Viola’s strikingly original voice sings out the story of her family s journey from war-torn Sudan, to Cairo, and finally to Portland, Maine. Here, in the sometimes too close embrace of the local Southern Sudanese Community, she dreams of South Sudan while she tries to navigate the strange world of America a world where a girl can wear a short skirt, get a tattoo or even date a boy; a world that puts her into sharp conflict with her traditional mother who, like Viola, is struggling to braid together the strands of a displaced life.
It all started with a dream. Nothing exceptional, just a typical fantasy about a boy, the kind of dream that most teen girls experience. But Pattyn Von Stratten is not like most teen girls. Raised in a religious — yet abusive — family, a simple dream may not be exactly a sin, but it could be the first step toward hell and eternal damnation. This dream is a first step for Pattyn. But is it to hell or to a better life? For the first time Pattyn starts asking questions. Questions seemingly without answers — about God, a woman’s role, sex, love — mostly love. What is it? Where is it? Will she ever experience it? Is she deserving of it? It’s with a real boy that Pattyn gets into real trouble. After Pattyn’s father catches her in a compromising position, events spiral out of control until Pattyn ends up suspended from school and sent to live with an aunt she doesn’t know. Pattyn is supposed to find salvation and redemption during her exile to the wilds of rural Nevada. Yet what she finds instead is love and acceptance. And for the first time she feels worthy of both — until she realizes her old demons will not let her go. Pattyn begins down a path that will lead her to a hell — a hell that may not be the one she learned about in sacrament meetings, but it is hell all the same.
Kristina Georgia Snow is the perfect daughter: gifted high school junior, quiet, never any trouble. But on a trip to visit her absentee father, Kristina disappears and Bree takes her place. Bree is the exact opposite of Kristina — she’s fearless. Through a boy, Bree meets the monster: crank. And what begins as a wild, ecstatic ride turns into a struggle through hell for her mind, her soul — her life.
Kaeleigh and Raeanne are identical down to the dimple. As daughters of a district-court judge father and a politician mother, they are an all-American family — on the surface. Behind the facade each sister has her own dark secret, and that’s where their differences begin. For Kaeleigh, she’s the misplaced focus of Daddy’s love, intended for a mother whose presence on the campaign trail means absence at home. All that Raeanne sees is Daddy playing a game of favorites — and she is losing. If she has to lose, she will do it on her own terms, so she chooses drugs, alcohol, and sex. Secrets like the ones the twins are harboring are not meant to be kept — from each other or anyone else. Pretty soon it’s obvious that neither sister can handle it alone, and one sister must step up to save the other, but the question is — who?
Three teens, three stories—all interconnected through their parents’ family relationships. As the adults pull away, caught up in their own dilemmas, the lives of the teens begin to tilt…. Mikayla, almost eighteen, is over-the-top in love with Dylan, who loves her back jealously. But what happens to that love when Mikayla gets pregnant the summer before their senior year—and decides to keep the baby? Shane turns sixteen that same summer and falls hard in love with his first boyfriend, Alex, who happens to be HIV positive. Shane has lived for four years with his little sister’s impending death. Can he accept Alex’s love, knowing that his life, too, will be shortened? Harley is fourteen—a good girl searching for new experiences, especially love from an older boy. She never expects to hurdle toward self-destructive extremes in order to define who she is and who she wants to be.
Five teenagers from different parts of the country. Three girls. Two guys. Four straight. One gay. Some rich. Some poor. Some from great families. Some with no one at all. All living their lives as best they can, but all searching . . . for freedom, safety, community, family, love. What they don’t expect, though, is all that can happen when those powerful little words, “I love you,” are said for all the wrong reasons. These are five moving stories that remain separate at first, then weave together to tell a larger, more powerful story–a story about making choices, taking leaps of faith, falling down, and growing up. And figuring out what sex and love are all about.
When sixteen-year-old Angel meets Call at the mall, he buys her meals and says he loves her, and he gives her some candy that makes her feel like she can fly. Pretty soon she’s addicted to his candy, and she moves in with him. As a favor, he asks her to hook up with a couple of friends of his, and then a couple more. Now Angel is stuck working the streets at Hastings and Main, a notorious spot in Vancouver, Canada, where the girls turn tricks until they disappear without a trace, and the authorities don’t care. But after her friend Serena disappears, and when Call brings home a girl who is even younger and more vulnerable than her to learn the trade, Angel knows that she and the new girl have got to find a way out.
On the night of October 6, 1998, a gay twenty-one-year-old college student named Matthew Shepard was lured from a Wyoming bar by two young men, savagely beaten, tied to a remote fence, and left to die. Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.
After a classmate commits suicide, Kana Goldberg—a half-Japanese, half-Jewish American—wonders who is responsible. She and her cliquey friends said some thoughtless things to the girl. Hoping that Kana will reflect on her behavior, her parents pack her off to her mother’s ancestral home in Japan for the summer. There Kana spends hours under the hot sun tending to her family’s mikan orange groves. Kana’s mixed heritage makes it hard to fit in at first, especially under the critical eye of her traditional grandmother, who has never accepted Kana’s father. But as the summer unfolds, Kana gets to know her relatives, Japan, and village culture, and she begins to process the pain and guilt she feels about the tragedy back home. Then news about a friend sends her world spinning out of orbit all over again.
Marcie has been dragged away from home for the summer—from Idaho to a family summerhouse in New Hampshire. She’s left behind her friends, a group of freaks and geeks called the Leftovers, including her emo-rocker boyfriend, and her father. By the time Labor Day rolls around, Marcie suspects this “summer vacation” has become permanent. She has to start at a new school, and there she leaves behind her Leftover status when a cute boy brings her breakfast and a new romance heats up. But understanding love, especially when you’ve watched your parents’ affections end, is elusive. What does it feel like, really? Can you even know it until you’ve lost it?
Veda, a classical dance prodigy in India, lives and breathes dance—so when an accident leaves her a below-knee amputee, her dreams are shattered. For a girl who’s grown used to receiving applause for her dance prowess and flexibility, adjusting to a prosthetic leg is painful and humbling. But Veda refuses to let her disability rob her of her dreams, and she starts all over again, taking beginner classes with the youngest dancers. Then Veda meets Govinda, a young man who approaches dance as a spiritual pursuit. As their relationship deepens, Veda reconnects with the world around her, and begins to discover who she is and what dance truly means to her.
carol lynch WILLIAMS
Twelve-year-old Hope’s life is turned upside down when her older sister, Lizzie, becomes an elective mute and is institutionalized after trying to kill herself. Hope and Lizzie have relied on each other from a young age, ever since their dad died. Their mother, who turns tricks to support her family, is a reluctant and unreliable parent at best.
Millionaire John Jacob Astor hopes to bring home his pregnant teen bride with a minimum of media scandal. A beautiful Lebanese refugee, on her way to family in Florida, discovers the first stirrings of love. And an ancient iceberg glides south, anticipating its fateful encounter. The voices in this remarkable re-creation of the Titanic disaster span classes and stations, from Margaret (“the unsinkable Molly”) Brown to the captain who went down with his ship; from the lookout and wireless men to a young boy in search of dragons and a gambler in search of marks. Slipping in telegraphs, undertaker’s reports, and other records, poet Allan Wolf offers a breathtaking, intimate glimpse at the lives behind the tragedy, told with clear-eyed compassion and astounding emotional power.