Living in the United States, literature is dominated by western culture. The rise of the East is gradually building (along with other cultures [yay!]). Here you will find books either about Asia, Asian Myths, or characters with Asian origins as leads or with an prominant Asian influence. This category is not genre specific, so you will find all genres so long as the emphasis of the books is focused with the topic.
Books are listed by author’s last name. A series will be counted as one entry. The summary of the first book will be the only summary given as later book summary may include spoilers. Titles are hyperlinked to their Goodreads.
Note: Books on this list are here because they fit the criteria (unrestrictive) of the category. I am not saying these correctly depict the race or culture nor am I saying these books are well written or the opposite: they aren’t well written. They just simply fit the simple criteria.
While the rest of India anxiously awaits the upcoming partition that will divide the country into two separate religious states, eighteen-year-old Tariq focuses on his own goal: to study at Oxford. But for a Muslim born and raised in India, there is no obvious path to England—until Tariq is offered a job translating for one of the British cartographers stationed in India, tasked with establishing the new borders. Margaret, the cartographer’s daughter, has only just arrived in India. But already she has discovered it to be hot, loud, and dull. She can’t go anywhere alone for fear of the riots and violence. Eager for a distraction, she finds one in Tariq. But it’s Anupreet, another member of the staff, who has truly captured Tariq’s eye. She’s strikingly beautiful—but she’s a Sikh, so not someone Tariq should even be caught looking at. And yet he’s compelled to…
Matt Pin would like to forget: war torn Vietnam, bombs that fell like dead crows, and the terrible secret he left behind. But now that he is living with a caring adoptive family in the United States, he finds himself forced to confront his past. And that means choosing between silence and candor, blame and forgiveness, fear and freedom.
By turns harrowing, dreamlike, sad, and triumphant, this searing debut novel, written in lucid verse, reveals an unforgettable perspective on the lasting impact of war and the healing power of love.
James Li should be in Chicago, finishing high school and working at his family’s restaurant. Instead, as a born member of the Yellow Dragon Clan, he is on a quest even he does not understand. Jay’s journey takes him to Santo del Vado Viejo in the Arizona desert, a town overrun by gangs, haunted by members of other animal clans, perfumed by delicious food, and set to the beat of Malo Malo, a barrio rock band whose female lead guitarist captures Jay’s heart. He must face a series of dangerous, otherworldly-and very human-challenges not just to survive, but to prove his worth to the clan.
There are whispers of a ghost in the slaughterhouse where sixteen-year-old Wen assists her father in his medical clinic—a ghost who grants wishes to those who need them most. When one of the Noor, men hired as cheap factory labor, humiliates Wen, she makes an impulsive wish of her own, and the Ghost grants it. Brutally. Guilt-ridden, Wen befriends the Noor, including their outspoken leader, a young man named Melik. At the same time, she is lured by the mystery of the Ghost and learns he has been watching her … for a very long time. As deadly accidents fuel tensions within the factory, Wen must confront her growing feelings for Melik, who is enraged at the sadistic factory bosses and the prejudice faced by his people at the hand of Wen’s, and her need to appease the Ghost, who is determined to protect her against any threat—real or imagined. She must decide whom she can trust, because as her heart is torn, the factory is exploding around her … and she might go down with it.
kira-kira (kee ra kee ra): glittering; shining. Glittering. That’s how Katie Takeshima’s sister, Lynn, makes everything seem. The sky is kira-kira because its color is deep but see-through at the same time. The sea is kira-kira for the same reason. And so are people’s eyes. When Katie and her family move from a Japanese community in Iowa to the Deep South of Georgia, it’s Lynn who explains to her why people stop on the street to stare. And it’s Lynn who, with her special way of viewing the world, teaches Katie to look beyond tomorrow. But when Lynn becomes desperately ill, and the whole family begins to fall apart, it is up to Katie to find a way to remind them all that there is always something glittering — kira-kira — in the future.
Griffins are supposed to be extinct. So when Yukiko and her warrior father Masaru are sent to capture one for the Shogun, they fear that their lives are over. Everyone knows what happens to those who fail him, no matter how hopeless the task. But the mission proves far less impossible, and far more deadly, than anyone expects – and soon Yukiko finds herself stranded: a young woman alone in her country’s last wilderness, with only a furious, crippled griffin for company. But trapped together in the forest, Yukiko and Buruu soon discover a friendship that neither of them expected. Meanwhile, the country around them verges on the brink of collapse. A toxic fuel is slowly choking the land; the omnipotent, machine-powered Lotus Guild is publicly burning those they deem Impure; and the Shogun cares about nothing but his own dominion. Yukiko has always been uneasy in the shadow of power, when she learns the awful truth of what the Shogun has done, both to her country and to her own family she’s determined to do something about it. Returning to the city, Yukiko and Buruu plan to make the Shogun pay for his crimes – but what can one girl and a flightless griffin do against the might of an empire?
Is Taro, a fisherman’s son, destined for greatness? In the course of a day, Taro’s entire life changes: His father is murdered before his eyes, and Taro is taken by a mysterious ninja on a perilous journey toward safety. Someone wants Taro dead, but who — and why? With his best friend, Hiro, and their ninja guide Shusaku, Taro gets caught in the crossfire of a bitter conflict between rival lords for control of imperial Japan. As Taro trains to become a ninja himself, he’s less and less sure that he wants to be one. But when his real identity is revealed, it becomes impossible for Taro to turn his back on his fate.
Suzume is a shadow-weaver. She can create mantles of darkness and light, walk unseen in the middle of the day, change her face. She can be anyone she wants to be. Except herself. Suzume died officially the day the Prince’s men accused her father of treason. Now even she is no longer sure of her true identity. Is she the girl of noble birth living under the tyranny of her mother’s new husband, Lord Terayama? A lowly drudge scraping a living in the ashes of Terayama’s kitchens? Or Yue, the most beautiful courtesan in the Moonlit Lands? Everyone knows Yue is destined to capture the heart of a prince. Only she knows that she is determined to use his power to destroy Terayama. And nothing will stop her. Not even love.
When soldiers arrive at his hometown in Cambodia, Arn is just a kid, dancing to rock ‘n’ roll, hustling for spare change, and selling ice cream with his brother. But after the soldiers march the entire population into the countryside, his life is changed forever. Arn is separated from his family and assigned to a labor camp: working in the rice paddies under a blazing sun, he sees the other children, weak from hunger, malaria, or sheer exhaustion, dying before his eyes. He sees prisoners marched to a nearby mango grove, never to return. And he learns to be invisible to the sadistic Khmer Rouge, who can give or take away life on a whim. One day, the soldiers ask if any of the kids can play an instrument. Arn’s never played a note in his life, but he volunteers. In order to survive, he must quickly master the strange revolutionary songs the soldiers demand–and steal food to keep the other kids alive. This decision will save his life, but it will pull him into the very center of what we know today as the Killing Fields. And just as the country is about to be liberated from the Khmer Rouge, Arn is handed a gun and forced to become a soldier. He lives by the simple credo: “Over and over I tell myself one thing: never fall down.” Based on the true story of Arn Chorn-Pond.
Seventeen-year-old Samar — a.k.a. Sam — has never known much about her Indian heritage. Her mom has deliberately kept Sam away from her old-fashioned family. It’s never bothered Sam, who is busy with school, friends, and a really cute but demanding boyfriend.But things change after 9/11. A guy in a turban shows up at Sam’s house, and he turns out to be her uncle. He wants to reconcile the family and teach Sam about her Sikh heritage. Sam isn’t sure what to do, until a girl at school calls her a coconut — brown on the outside, white on the inside. That decides it: Why shouldn’t Sam get to know her family? What is her mom so afraid of? Then some boys attack her uncle, shouting, “Go back home, Osama ” and Sam realizes she could be in danger — and also discovers how dangerous ignorance can be. Sam will need all her smarts and savvy to try to bridge two worlds and make them both her own.
When she is five, Young Ju Park and her family move from Korea to California. During the flight, they climb so far into the sky she concludes they are on their way to heaven — that Heaven is in America!Life in America, however, is far more difficult than the Parks dreamed. Jobs are scarce and money is even scarcer. Young Ju’s father soon becomes so depressed and angry that he loses the ability to control his own behavior, his drinking increases, and he hurts his family both emotionally and physically. Dominated by the mores and traditions of their native land, her family is ill-equipped to function in the world they’ve chosen and they each respond in a way true to their character.
On October 31, 1984, Indira Gandhi is gunned down by two Sikh bodyguards. The murder sparks riots in Delhi and for three days Sikh families are targeted and killed in retribution for the Prime Minister’s death. It is into this chaos that sixteen-year-old Maya and her Sikh father, Amar, arrive from their home in Canada. India’s political instability is the backdrop and catalyst for Maya’s awakening to the world.
(& Hart, Helen – translator)
Kimi dreams of being a great samurai warrior, but she and her sister, Hana, are young ladies of feudal Japan, daughters of the “Jito” of the province. Her future seems clear: Girls do not become samurai. Then, betrayal shatters the sisters’ world. Their power-hungry uncle murders their father, and their mother and little brother mysteriously disappear. Determined to seek revenge and restore their honor, they disguise themselves as boys to train at a school for samurai. Kimi and Hana are thrown headlong into a life of warrior codes, sharp swords, and shadowy figures–as they work with fierce determination to avenge the brutal wrongs done to their family. In a flash, life has swept them into a terrible adventure, more heart-pounding than Kimi and Hana ever could have imagined . . . and once it has been set in motion, nothing will ever be the same.
On the heels of a family tragedy, the last thing Katie Greene wants to do is move halfway across the world. Stuck with her aunt in Shizuoka, Japan, Katie feels lost. Alone. She doesn’t know the language, she can barely hold a pair of chopsticks, and she can’t seem to get the hang of taking her shoes off whenever she enters a building. Then there’s gorgeous but aloof Tomohiro, star of the school’s kendo team. How did he really get the scar on his arm? Katie isn’t prepared for the answer. But when she sees the things he draws start moving, there’s no denying the truth: Tomo has a connection to the ancient gods of Japan, and being near Katie is causing his abilities to spiral out of control. If the wrong people notice, they’ll both be targets. Katie never wanted to move to Japan—now she may not make it out of the country alive.
Emma Karas was raised in Japan; it’s the country she calls home. But when her mother is diagnosed with breast cancer, Emma’s family moves to a town outside Lowell, Massachusetts, to stay with her grandmother while her mom undergoes treatment. Emma feels out of place in the United States, begins to have migraines, and longs to be back in Japan. At her grandmother’s urging, she volunteers in a long-term care center to help Zena, a patient with locked-in syndrome, write down her poems. There, Emma meets Samnang, another volunteer, who assists elderly Cambodian refugees. Weekly visits to the care center, Zena’s poems, dance, and noodle soup bring Emma and Samnang closer, until Emma must make a painful choice: stay in Massachusetts, or return early to Japan.
Ray Liu knows he should be happy. He lives in a big suburban house with all the latest electronic gadgets, and even finds plenty of time to indulge in his love of gaming. He needs the escape. It’s tough getting grades that will please his army veteran father, when speaking English is still a struggle. And he can’t quite connect with his gang at high school — immigrants like himself but who seem to have adjusted to North American life more easily. Then comes his father accesses Ray’s internet account, and discovers Ray has been cruising gay websites. Before Ray knows what has hit him, his belongings have been thrown on the front lawn, and he has been kicked out. Angry, defiant, Ray heads to downtown Toronto. In short order he is robbed, beaten up and seduced, and he learns the hard realities of life on the street. Could he really sell himself for sex? Lots of people use their bodies to make money — athletes, actors, models, pop singers. If no one gets hurt, why should anyone care?